Laura White
Stay 1, 2019
Dried bread dough, food colour, polyurethane foam, mild steel, patina, nylon fabric, cotton, glazed ceramic (black clay) and cord foam. 115 x 115 x 24cm
Laura White
Stay 6, 2019
Jesmonite, bread dough cast, spray paint, shoe polish, mild steel, patina, rust, glazed ceramic (black clay) and packing foam. 64 x 102 x 30cm
Laura White
Stay 7, 2019
Dried bread dough, polyurethane foam, printing ink, mild steel, patina, rust, cord foam, 95 x 147 x 33cm
Laura White
Stay 3, 2019
Jesmonite bread dough cast, plastic, glazed and non-glazed ceramic (black and Buff clay,) paint and packing foam. 82 x 79 x 41cm
Laura White
Stay 2, 2019
Jesmonite, printing ink, leather, cotton, glazed and non-glazed ceramic (black and buff clay) and packing foam. 97 x 77 x 34cm
Laura White
Balk 1 – 8, 2019
Foam, pewter, chamois leather, wood, cotton thread, copper foil, ink and wax. Dimensions variable.
Laura White
Balk 1 – 8, 2019
Foam, pewter, chamois leather, wood, cotton thread, copper foil, ink and wax. Dimensions variable.
Laura White
Balk 1 – 8, 2019
Foam, pewter, chamois leather, wood, cotton thread, copper foil, ink and wax. Dimensions variable.
Laura White
Balk 1 – 8, 2019
Foam, pewter, chamois leather, wood, cotton thread, copper foil, ink and wax. Dimensions variable.
Laura White
White Mud, commissioned by Meadow Arts for Precious Clay: Porcelain in Contemporary Art at the Museum of Royal Worcester, 2018
Porcelain, metal, wood and paint, 653 x 290 x 253cm
Laura White
White Mud, commissioned by Meadow Arts for Precious Clay: Porcelain in Contemporary Art at the Museum of Royal Worcester, 2018
Porcelain, metal, wood and paint, 653 x 290 x 253cm
Laura White
White Mud, commissioned by Meadow Arts for Precious Clay: Porcelain in Contemporary Art at the Museum of Royal Worcester, 2018
Porcelain, metal, wood and paint, 653 x 290 x 253cm
Laura White
The Great Refuser, 2018
Mixed media, exhibited at Viborg Kunsthal, Denmark as part of As Much About Forgetting
Laura White
The Great Refuser, 2018
Mixed media, exhibited at Viborg Kunsthal, Denmark as part of As Much About Forgetting
Laura White
Gypsy1, Yoyo1, 2017
Dough and jesmonite. 154 x 56 x 7cm. Dough and rubber, 66 x 68 x 8cm
Laura White
Tenderfoot, 2016
Chamois leather, plastic, expanding foam, wood and metal. 142 x 75 x 45cm
Laura White
Collaborator, 2015
Plastic and steel, size in response to space, approximately 270 x 170 x 170cm
Laura White
Envoy (detail), 2015
Plastic, porcelain and steel, dimensions variable in response to space
Laura White
Envoy (detail), 2015
Plastic, porcelain and steel, dimensions variable in response to space
Laura White
Fat, 2014
Bronze, re enforced plaster and plastic, mounted on metal and mdf table. Each piece 48 x 25 x 18cm
Laura White
Fat, 2014
Bronze, re enforced plaster and plastic, mounted on metal and mdf table. Each piece 48 x 25 x 18cm
Laura White
Because You're Worth It, 2013
Graphite on paper, installation 450 x 100cm, shown in More Than I Dare to Think About, at Kling&Bang, Reykjavik, Iceland
Laura White
Because You're Worth It, 2013
54 A4 (21 x 30 cm) Graphite on paper, wall mounted with white drawing pins. Installation: 450 x 100cm
Laura White
You Can Share the Wonder, 2013
Exhibited as part of Cowboy Style, Marlborough Contemporary, London
Laura White
You Can Share the Wonder, 2013
Exhibited as part of Cowboy Style, Marlborough Contemporary, London,
Laura White
The Esque Collection, 2012
Installation view, exhibited as part of Sinopticon, Plymouth City Museum and Art Gallery
Laura White
The Esque Collection (detail), 2012
Installation view, exhibited as part of Sinopticon, Plymouth City Museum and Art Gallery
Laura White
Loving All My Life, 2011
Car, clay, expanding foam, wood, tin foil, installation view, Aid&Abet, Cambridge
Laura White
Loving All My Life, 2011
Car, clay, expanding foam, wood, tin foil, installation view, Aid&Abet, Cambridge
Laura White
For Living, For Loving, For Loathing, 2011
Installation image, Pollen, Monflanquin, France. Materials include: unfired clay, expanding foam, tin foil, gold spray and paper napkins,
Laura White
For Living, For Loving, For Loathing, 2011
Installation image, Pollen, Monflanquin, France. Materials include: unfired clay, expanding foam, tin foil, gold spray and paper napkins
Laura White
For Living, For Loving, For Loathing, 2011
Installation image, Pollen, Monflanquin, France. Materials include: unfired clay, expanding foam, tin foil, gold spray and paper napkins
Laura White
For Living, For Loving, For Loathing, 2011
Installation image, Pollen, Monflanquin, France. Materials include: unfired clay, expanding foam, tin foil, gold spray and paper napkins
Laura White
For Living, For Loving, For Loathing, 2011
Installation view, Pollen, Monflanquin, France. Materials include: unfired clay, expanding foam, tin foil, gold spray and paper napkins
Laura White
For Living, For Loving, For Loathing, 2011
Installation view, Pollen, Monflanquin, France. Materials include: unfired clay, expanding foam, tin foil, gold spray and paper napkins
Laura White
For Living, For Loving, For Loathing, 2011
Installation view, Pollen, Monflanquin, France. Materials include: unfired clay, expanding foam, tin foil, gold spray and paper napkins
Laura White
For Living, For Loving, For Loathing, 2011
Installation view, Pollen, Monflanquin, France. Materials include: unfired clay, expanding foam, tin foil, gold spray and paper napkins
Laura White
Anxious Glory, Second Collection, Object No 2, 2011
Angus-Hughes Gallery, London, tin foil and readymade furniture. 270 x 180 x 60cm
Laura White
Anxious Glory, Second Collection, Object No 2, 2011
Angus-Hughes Gallery, London, tin foil and readymade furniture. 270 x 180 x 60cm
Laura White
Anxious Glory, Second Collection, Object No 2 (detail), 2011
Angus-Hughes Gallery, London, tin foil and readymade furniture. 270 x 180 x 60cm